Archetypes in Frankenstien and the Birthmark

The novel Frankenstein was written by Mary Shelly in 1818, since then the story has become a classic archetype. The Birthmark by Nathaniel Hawthorne, follows this archetype. Although The Birthmark and Frankenstein are not identical both stories have similar archetypal characters and share similar themes of abused power and redemption.

The Frankenstein archetype requires three types of characters: a obsessive, mad scientist, a pure kind feminine presents and a monster, both sympathetic and ruthless. Although the characters from the birthmark are not carbon copies of the characters in Frankenstein they share similar personality traits and experiences. Both works have at least one Madonna like woman who is pure and good through out her entire life. In The Birthmark this character is Aylmer’s wife, Georgiana, who is both beautiful and kind. Despite the distain and obsession her husband develops with the birthmark on her face Georgiana is unwavering in her love and loyalty for him. Even when Georgiana realizes that her husband’s experiment to remove her birthmark is more likely to fail then succeed, she lets him go ahead anyways. Her kindness is so profound that even seconds before she dies at his hands she shows nothing but devotion for Aylmer telling him, “you have aimed loftily; you have done nobly. Do not repent that with so high and pure a feeling, you have rejected the best the earth could offerвЂ¦Ð²Ð‚Ñœ Hawthrone,348.

Georgiana is very similar to two women in Frankenstein, who, like her are young and beautiful, kind and loving. Justine Mortiz grew close to Victor Frankenstein’s mother, nursing her back to health when she was sick. After leaving briefly following the death of Victor’s mother, she rejoined the Frankenstein household as a servant and domestic for Victor and his wife. Justine, like Georgiana died as a result of an obsessed scientist and his creation. Justine was framed by the monster Victor created, she was found guilty and executed for the murder of Victor’s son, William. When sentenced to death Justin, like Georgiana was benevolent, this is can be seen in her last appearance before execution:

Justine assumed an air of cheerfulness, while she with difficulty repressed her bitter tears. She embraced Elizabeth, and said, in a voice of half-suppressed emotion, "Farewell, sweet lady, dearest Elizabeth, my beloved and only friend; may Heaven, in its bounty, bless and preserve you; may this be the last misfortune that you will ever suffer! Live, and be happy, and make others so. Shelley,88

Elizabeth Lavenza, was an orphan, adopted by the Frankenstein family when she was young. Victor considered it his job to care for Elizabeth like a sister. The two became inseparable from the moment they met. She and Victor are eventually married. On their honeymoon Elizabeth was murdered by the monster that her husband had created her last words to Victor were of concern for him. “Be happy dear Victor, there is, I hope, nothing to distress you; and be assured that if a lively joy is not painted on my face, my heart is content.” Shelley 208. All three Madonna archetypes were young, beautiful women who despite their good intentions and selfless behaviour died due to the actions of the men closest to them, in Elizabeth and Georgiana case- their husbands. All three leave the reader with kind and philosophical last words.

The men in these stories are an archetypical character of their own, both stories feature obsessed scientists as the main character. Both Victor Frankenstein and Aylmer from The Birthmark become obsessed with the idea of creating and manipulating human life. At the age of thirteen Victor Frankenstein became interested in the spark of life and studied theories of the creation of human life. While away at college in Ingolstadt, Victor creates a being from scavenged corpse parts and gives it life. Victor immediately rejects his creation because of it’s hideousness. The guilt Victor feels throughout the story causes him to become physically sick. eventually the monster grows to resent Victor and begins to kill everyone he’s close to. Aylmer too is a man of science. Although Aylmer was married to a beautiful he was still completely committed to his science; “Aylmer appeared to believe that, by the plainest scientific logic, it was altogether within the limits of possibility to discover this long- sought medium.” Hawthorn,342.

Soon after his wedding Aylmer became fixated on his wife’s birthmark, so much so that it made him physically sick when he saw it. This fixation combined with an obsessed with the notion of creating miracles led Aylmer to convince his bride to let him remove her birthmark himself:

"doubt not my power. I have already given this matter the deepest thought--thought which might almost have enlightened me to create a being less perfect than yourself. Georgiana, you have led me deeper than ever into the heart of science. I feel myself fully competent to render this dear cheek as faultless as its fellow; and then, most beloved, what will be my triumph when I shall have corrected what Nature left imperfect in her fairest work! Even Pygmalion, when his sculptured woman assumed life, felt not greater ecstasy than mine will be." Hawthorn 340.

Aylmer’s creation, or attempt at creation, causes Georgiana to die in his arms.

Both men are noble and good intentioned, but seem to lose all sense of balance. Both men are dedicated to science so much so that they ignore the needs of the loving, beautiful women in their lives. Ultimately it is this unbalance between science and humanity which led to their creations, the monster and the birthmark elixir, and their creations are responsible for the death of the women they loved.

The most obvious comparison between The Birthmark and Frankenstein is the use and exploitation of science. Both stories were set in times of turmoil. This is described in the opening paragraph of The Birthmark: In those days when the comparatively recent discovery of electricity and other kindred mysteries of Nature seemed to open paths into the region of miracle. Hawthorne 337

These new found technologies gave both men a sense of god like power, Victor explains, When I found so astonishing a power placed within my hands, I hesitated a long time concerning the manner in which I should employ it. Shelley 43.

This overwhelming sense of power also resonates with Aylmer, who is convinced that because of his knowledge of science, he has some sort of power. Aylmer’s scientific lust mimics the actions of Dr. Frankenstein’s monster. The monster loved it’s first