Architecture as a Political Device
Essay by review • February 25, 2011 • Essay • 530 Words (3 Pages) • 1,122 Views
Through the architecture, a place of worshipÐ'--whether it's an ancient Sumerian temple or a Gothic churchÐ'--not only becomes a conduit to the heavenly, but a political device as well.
Ð'* In the ancient Sumerian city of UrukÐ'--circa 3500 BCÐ'--the "White Temple" was built atop a zigguratÐ'--a man-made mountain.
o Dedicated (probably) to the sky-god, AnuÐ'--chief of the Sumerian gods.
o A system of stairs and ramps lead around a counter-clockwise direction up towards the entrance of the temple.
 This winding ascent was a metaphor for the ascent into the divine realm.
o At the peak of the temple is where the priest or priestess would conduct ceremonies,
 acting as the point of transfer from the earthly to the heavenly.
o The members of the community would watch the ascent of the elite group of the priests and leaders who had exclusive access to the temple.
Ð'* Hagia Sophia ("church of holy wisdom"), Byzantine 532 AD
o Built by Anthemious of Tralles and Isidorus of Miletus
 Dome on pendentives
 A spacious interior
o Harmonious "finely-tuned" proportions reflect a divine creation
o The architecture of the building allows there to be a great many windows circling the dome.
 This gives the illusion that the dome seems to float "like the radiant heavens"
 And supports the sense of a divine mystery
o The architectural marvel of Hagia Sophia is also a show of the political power that Justinian holds in that time.
Ð'* Abbey Church of Saint Denis
o Built under the supervision of Abbet Suger.
o Burial spot for Saint Denis
 Martyr credited for bringing Christianity to France.
o Where the Carolingian Kings were crowned
 Giving it both a religious and political connection
o The development of the Gothic style is a statement of the growing political power of the kingdom of France (Which might explain why the style spreads out to become a regional style)
o Borrows from Romanesque style
 Use of groin vaulting
 Rational articulation of the architectural forms
 Use of the traditional Christian basilical form
o But
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