Crucible

One definition of "crucible" is "a severe test of patience and belief, or a trial". This definition pertains to Arthur Miller's four-act play, "The Crucible." The definition is suiting, because it is during this play that the wills of innocent women and men are put to the test when they are accused of things they did not do. It was the ultimate trial of determination and willpower to withstand such a wretched ordeal. Abigail Williams, Elizabeth and John Proctor, Mary Warren, Reverend Parris and even Reverend Hale had changed drastically because of what they had to go through during the course of the play. However, other characters such as Ezekiel Cheever and Marshall Herrick did not really change noticeably. Reverend Parris and Reverend Hale are two characters in "The Crucible" that did change, and Ezekiel Cheever is one that did not.

Reverend Samuel Parris is one character from "The Crucible" who changed drastically throughout the course of the play. In the beginning of the play he was regarded as a cruel, sinister, Scrooge-like Reverend. Even in the very first act, he is shown screaming at his slave, Tituba, and furthermore, yelling at Abigail Williams, his very own niece. Furthermore, in Act II, it is revealed that John Proctor attended mass scarcely because he hated Reverend Parris so much. His materialism (as proven with the gold candlesticks) was something that greatly bothered the town of Salem. In Act IV, Reverend Parris is humbled. Having been robbed by Abigail and her friend, Mercy Lewis, he is almost penniless, and thereby modest and sorrowful. He does not talk with the same biting command as he used to.

Reverend Hale is another character that changes during the course of "The Crucible." Upon his entrance in the midst of Act I, he is depicted as a strong, knowledgeable intellect. His intelligence seems to leave no room for compassion. This is evident by his interrogations which took place during Act III, the Trial, as well as the biographical information provided in Act I of "The Crucible." However, his emotions do come out in Act IV. He appears sympathetic and kindhearted while begging the women in prison to confess to save their lives.

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