Jay-Z

Reasonable Doubt generated three more charting singles -- "Can't Knock the Hustle," which featured Mary J. Blige on the hook; "Dead Presidents"; and "Feelin' It" -- and set the stage for Jay-Z's follow-up, In My Lifetime, Vol. 1 (1997).

Much more commercially successful than its predecessor, In My Lifetime peaked at number three on the Billboard album chart, quite a substantial improvement commercially over Reasonable Doubt. The album boasted numerous marketable contributors such as Puff Daddy and Teddy Riley, which no doubt helped sales, yet Jay-Z's decision to move in a more accessible direction for much of the album, trading gangsta rap for pop-rap, increased his audience twofold. Singles such as "Sunshine" and "The City Is Mine" confirmed this move toward pop-rap, both songs featuring radio-ready pop hooks and less of the grim introspection that had characterized Reasonable Doubt. In My Lifetime still had some dramatic moments, such as "Streets Is Watching" and "Rap Game/Crack Game," yet these moments were few and greatly eclipsed by the pop-rap.

Jay-Z's next album, Vol. 2: Hard Knock Life (1998), released a year after In My Lifetime, furthered the shift from gangsta rap to pop-rap. Though Jay-Z himself showed few signs of lightening up, particularly on brash songs like "Cash, Money, Hoes," his producers crafted infectious hooks and trend-setting beats. Songs like "Can I Get A..." and "Hard Knock Life (Ghetto Anthem)" sounded both distinct and unforgettable, garnering enormous amounts of airplay. Again, as he had done on In My Lifetime, Jay-Z exchanged the autobiographical slant of his debut for a sampler platter of radio-ready singles; and again, he reached more listeners than ever, topping the album chart and generating a remarkable six singles: the three aforementioned songs as well as "Jigga What?," "It's Alright," and "Money Ain't a Thang."

Like clockwork, Jay-Z returned a year later with another album, Vol. 3: Life and Times of S. Carter (1999), which sold a staggering number of units and generated multiple singles. Here Jay-Z collaborated with yet more big names (nearly one guest vocalist/rapper on every song, not to mention the roll call of in-demand producers) and his most overblown work yet resulted. Jay-Z scaled back a bit for Dynasty Roc la Familia