La Confidential

Books

Abbott, Megan E.

The street was mine: white masculinity in hardboiled fiction and film noir New York: Palgrave Macmillan, 2002.

--MAIN: PS374.D4 A23 2002

Agostinelli, Alessandro.

Una filosofia del cinema americano : individualismo e noir Pisa : ETS, 2004. Scritture della visione ; 6

--PFA PN1995.9.F54.A36 2004

Alloway, Lawrence

Violent America: The Movies, 1946-1964. New York, Museum of Modern Art; distributed by New York Graphic Society, Greenwich, Conn. [1971]

--Main Stack PN1993.5.U6.A84

Arthur, Paul.

"The Gun in the Briefcase: Or, the Inscription of Class in Film Noir." The Hidden Foundation: Cinema and the Question of Class. Edited by David E. James and Rick Berg. Minneapolis: University of Minnesota Press, c1996. pp: 90-113.

--Main Stack PN1995.9.P6.H5 1996

Arthur, Paul.

Murder's Tongue: Identity, Death, and the City in Film Noir." In: Violence and American cinema / edited by J. David Slocum. pp: 153-75.New York: Routledge, 2001.AFI film readers.

--Main Stack PN1995.9.V5.V56 2001

Bassoff, Lawrence.

Crime Scenes: Movie Poster Art of the Film Noir: The Classic Period, 1941-1959 / written and collected by Lawrence Bassoff; foreword with Robert Wise. Beverly Hills, CA: L. Bassoff Collection, c1997.

--UCB Moffitt f PN1995.9.P5 B379 1997

Beverly, William

On the lam: narratives of flight in J. Edgar Hoover's America / William Beverly. Jackson: University Press of Mississippi, c2003.

--Main Stack PS374.F83.B48 2003

Biesen, Sheri Chinen

Blackout : World War II and the origins of film noir Published: Baltimore : Johns