Music

Adachi, Mayumi & Trehub, Sandra E. (1998). Children's expression of emotion in song. Psychology of Music, Vol. 26, No. 2, pp. 133-153.

Behrens, Gene Ann & Green, Samuel B. (1993). The ability to identify emotional content of solo improvisations performed vocally and on three different instruments. Psychology of Music, Vol. 21, No. 1, pp. 20-33.

Bever, Thomas (1988). A cognitive theory of emotion and aesthetics in music. Psychomusicology, Vol. 7, No. 2, pp. 165-75.

Bouhuys, Antoinette L., Bloem, Gerda & Groothuis, Ton (1995). Induction of depressed and elated mood by music influences the perception of facial emotional expressions in healthy subjects. Journal of Affective Disorders, Vol. 33, No. 4, pp. 215-226.

Clynes, M. (1989). Sentics: The Touch of Emotion. Prism Printing.

Cooke, D. (1959). The Language of Music. Oxford: Oxford University Press.

Crowder, R. G. (1986). "Perception of the major/minor distinction II: Experimental investigations." Psychomusicology, Vol. 5, pp. 3-24.

Dipert, Randall (1983). Meyer's Emotion and meaning in music: a sympathetic critique of its central claims. In theory only, Vol. 6, No. 8, pp. 3-17.

Feld, S. (1982). Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression. Philadelphia: University of Pennsylvania Press.

Gabrielsson, Alf (1989). Intense emotional experiences of music. Proceedings of the First International Conference on Music Perception and Cognition. Kyoto, Japan: The Japanese Society for Music Perception and Cognition; pp. 371-376.

Gabrielsson, Alf & Lindstrom, Erik (1995). Emotional expression in synthesizer and sentograph performance. Psychomusicology, Vol. 14, No. 1-2, pp. 94-116.

Gabrielsson, Alf & Lindstrom, Siv (1993). On strong experiences of music. Musikpsychologie: Jahrbuch der Deutschen Gesellschaft fÑŒr Musikpsychologie Vol. 10, pp. 118-139.

Gaver, William W. & Mandler, George (1987). Play it again, Sam: On liking music. Cognition and Emotion, Vol. 3, pp. 259-282.

Goldstein, Avram