The Yellow Wallpaper

Charlotte Perkins Gilman's The Yellow Wallpaper is a short story that deals with many different issues that woman in the 19th century had to deal with on a daily basis. Some of these issues were within their control, but many of them were outside of the realm of control for women. The main point that I will focus on is how restricted societal roles can cause insanity. I will do this by deciphering the meaning of the "yellow wallpaper" and its symbolism. In my opinion, I believe that once we get a better understanding of the author's interest in this subject area and get a feel for life in the 19th century, then we will have a better understanding of the story.

First, let's take a look at the background of Gilman before and after she wrote The Yellow Wallpaper. Gilman lived during the late 19th and early 20th centuries and she definitely had her fair share of troubles. Her biggest struggle in life was living within the constraints of a society that put women in a class apart from everyone else; when in her heart she felt that she was an equal counterpart to men. She suffered depression from this problem for many years, until finally she was seem by a world-famous neurologist, Dr. Weir Mitchell, who simply prescribed her with rest. This "rest period" sent her into an even deeper state of depression, which she didn't come out of until she tried to resume her normal life, along with joining the American Woman Suffrage Association as a writer and active participant. Unfortunately, Gilman's life got so bad that her condition got worse and she fell to the insanity level, eventually causing her to commit suicide with chloroform.

Now that we have a little background on the author, we can take a closer look at the actual work and its characters. The two main characters of the story a narrator and her husband, John, and the story takes place in the 19th century. Life for the two is like most other marriages in this time frame, only the narrator is not like most other wives. She has this inner desire to be free from the societal roles that confine her and to focus on her writing, while John in content with his life and thinks that his wife overreacts to everything. Traditionally, in this era, the man was responsible for taking care of the woman both financially and emotionally, while the woman was solely responsible for remaining at home. This was a trap that prevented both women and men from developing emotionally and acquiring self-individualism.

The story begins with the husband and wife moving into their summer home right after having their first child. The wife has a funny feeling about it stating that it is "something queer about it" (Gilman 658), but John thinks that she is being too suspicious. She is sick in the sense that she is suffering from depression, but John, being a physician, thinks that she is fine and that she will be all right soon. The room that they move into is what used to be a nursery and this is where the drama really begins.

The narrator describes the room as having windows that are "barred for little children." (Gilman 659) Seeing that she is a new mother, I see this as being a symbol of her dislike of her motherly duties. Jane is unable to take care of her own baby for a one central reason: she is too depressed. Today, we would call this post-partum depression and we usually get over it, but in the 19th century this was not common. Just beginning to decipher this room, she goes on to say that there is a beautiful garden, only she has to look through barred windows to see it. Eventually, the narrator gets to the point where she takes notice of the wallpaper. Her first description of it says that it is: "dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicideÐ'...destroy themselves in unheard of contradictions." (Gilman 659) This is quite an intense description that says many things. In a sense, the patterns on the wallpaper are being compared to women. It is as if women are confusing objects that are always annoyed, yet constantly receive study from others. When they are examined further, it is discovered that these objects are so full of contradictions that they will eventually self-destruct. This can also go to say that women have no common sense and therefore cannot be trusted to make logical decisions or defend themselves if the need should arise. That is why the man is there: to supervise them and give them specific instructions to help them to make it through life safely.

In further analysis of the wallpaper, it is discovered that the wallpaper is like a maze. One peculiar way that the narrator describes the actual design of the wallpaper is by saying that it is has "a kind of 'debased Romanesque'Ð'...go waddling up and down in isolated columns of fatuity." (Gilman 662) The word "Romanesque" in this sense refers to romance as well as a highly ornamented design supported by decorated vault columns. In connecting the description to the character, we can deduce that the female mind is filled with flawed romantic thought vaults that are supported by beautiful columns of confusion. Even though I think that this is not true, in most cases, it is a literal translation of the