Economics in Elizabethan Times

Economics in Elizabethan Times

London was Europe's most dynamic city at the end of the 16th century. It had grown from approximately 120,000 people in 1550 to 200,000 in 1600. (In comparison, Paris had only 70,000 people in 1600.) And London's growth had paralleled that of England, which had doubled in population between the 1520s and the 1640s. The English economy grew even more rapidly: agriculture prospered because of the significant increase in demand for food, and London became the leading center of the international woolen cloth trade after Antwerp was sacked in 1576. The overall European money supply had grown rapidly as a result of the gold and silver being brought in by Spain from Latin America; the resulting inflation had proved good for capitalists because it lowered the cost of labor and debt. The great merchants had prospered mightily during this "Age of Exploration"--a prosperous London merchant could earn 2-3000 pounds a year, making him the financial equal of an aristocrat. The total volume of trade increased rapidly in the early 17th century, notably between England and the countries around the Baltic, the Mediterranean, India and the Americas

During this period the upper middle and middle classes were visibly prospering. Increased social mobility seems to have led to the breakdown of social tradition. Education was on the rise, with the number of students at Oxford and Cambridge growing from 450 a year to nearly 1000 a year between 1575-1642, far in excess of the growth in the numbers of the aristocracy. And this democratization of education happened despite the rising cost of a university education: 20 pounds a year in 1600. (For comparison, a common laborer earning minimum wage made about 8 pounds a year--in the unlikely event that he worked steadily throughout the year) The number of active lawyers tripled between 1570 and the 1630s; the Inns of the Court where they were trained was a center of theatrical activity and the students were active playgoers.

London was the epicenter of all the new economic activity. The city's new affluent class demanded entertainment. The defeat of the Spanish Armada in 1588 had left the English with a sense of infinite possibilities and confidence. Continental travel became a fad, and the classical manuscripts brought back from Europe and translated into English were hugely significant for English culture generally, and, of course, its theatre.

Acting troupes started putting on so many plays (using converted inns as outdoor theaters) in London during the 1560s that the city authorities took notice, fearing riots or the plague (not without reason--the theaters were shut down every ten years or so during outbreaks.) In the 1570s the City of London banned these inn-theatres, but the Crown responded by protecting the acting troupes with aristocratic sponsorship, and even gave a Royal patent to one group, sponsored by the Earl of Leicester. They were known as the Chamberlain's Men and were led by James Burbage, a former carpenter. This group, armed with their patent, signed a lease in Shoreditch in 1574, half a mile outside the City, and built the Theatre (apparently leaving the city fathers fuming.)

A year later a second public theater, The Curtain, was built, also in Shoreditch (a principal thoroughfare). A third theatre was built in 1580 at Newington Butts. In 1587 a fourth playhouse, The Rose, in was built near the Thames in Bankside; this was the first theatre at which a Shakespeare play was staged. The fifth playhouse, The Swan, seating 3,000 people was built at the western end of Bankside in 1595. In 1598 James Burbage got into a dispute over the lease at the Theatre, and pulled it down, carting the timber over to Bankside, where he used it to build the Globe. These Bankside theatres allowed audiences access by boat; the water taxi men claimed they transported three or four thousand people to the theatres every afternoon. In the late 1590s yet another theatre, the Fortune, was built in the western suburbs so that access would be convenient for the court, the houses along the Strand, and for City dwellers by foot or carriage.

The other theatre entrepreneurs followed Burbage's design for his Theatre. In opposition to the existing private theaters (which were small, comfortable and roofed-in) he made it large and available to everyone. Likewise Burbage set his general admission price at one penny, making the cost of a play no more than a mug of beer. This was risky, given the amount of borrowed capital in the business (Burbage financed the building by mortgaging the ground lease); the Theatre was valued at 666 pounds. But it paid off. The total day's take at the Theatre in 1585 was estimated at 10 to 12 pounds (obviously 1,000 to 1,200 admissions.) By the 1590s the number of seats that three