Modernism and the Holocaust
Essay by review • March 3, 2011 • Essay • 1,970 Words (8 Pages) • 2,754 Views
The emergence of the Holocaust and the Nazi party views can largely be determined as a result of modernity, as a reaction against the times. Yet, at the same time it can be argued that the National Socialist party can be characterized as a modern development. Modris Eksteins, George Mosse, and Zygmundt Bauman offer an in-depth look into both the anti-modern and modern aspects of the Nazi movement and the resulting Holocaust. Ekstein's work proves to be the most thorough of the three works in following the growth and progress of the Nazi party and Hitler's rise to power. Bauman covers more of the political side of the National Socialists, and especially appeals to morality and ethics, or rejection thereof, to portray his very opinionated points. Mosse, on the other hand, analyzes the people who fell victim to the ideology of the Nazi party, "In a sense, this study is a historical analysis of people captured to such an extent by an ideology that they lost sight of civilized law and civilized attitudes toward their fellow men," (Mosse, 9). For all three authors, modernity is the major force for change- the change that results in the rise of the national socialist party.
For Ekstein, culture is a social phenomenon in which modernism is the principal urge of the time. He focuses on social change featuring the Great War as a great catalyst for change, "For our preoccupation with speed, newness, transience, and inwardness- with life lived, as the jargon puts it, Ð''in the fast lane'- to have taken hold, an entire scale of values and beliefs had to yield pride of place, and the Great Wars was, as we shall see, the single most significant event in that development," (Ekstein, xiv). Ekstein uses the example of Germany within the novel to express his points. Before the Great War there had been a sense of morality and decency between warring nations, a code of ethics the British and French armies continued to follow. Germany, however, through the old-fashioned spirit of war out the door and used any means possible to win, means that were characterized by modern technological advancements and what Ekstein refers to as Total War. For Ekstein, the first World War was a gateway into modernity which paved the way for the rise of the National Socialist party to come to power in Germany.
Ekstein provides a thoroughly modern point of view, concerning the years following World War I, in writing about the culture of an extremely civilized Europe where standards of living had been rising steadily despite strictly enforced class rules and large disparities between the ultra-rich and everyone else. From this, the National Socialist party evolved and rose and became "a headlong plunge into the future, toward a Ð''brave new world'," (Ekstein, 303). The people of Germany, for the first time in decades, felt a sense of belongingness and patriotism toward their country. The political and social conflicts that characterized their country in the past had disappeared and they became a unified country under "The Spirit of Aust!"
It was the rise of Hitler to power and his implementation of the National Socialism Movement that led to the Holocaust, which constituted a rejection of Judaism, Communists, Jehovah Witnesses, Gypsies, homosexuals, and anyone else not belonging to the Aryan race. This rejection resulted in the mass deliberate killing of these people by the Nazis in their exterminatory anti-Semitism. They used this as an excuse to commence a systematic genocide against the European Jews as an answer to the "Jewish Question." The final solution to rid Germany and all of Europe of the Jewish "vermin" was to send them to concentration camps where they would eventually be gassed if the harsh environment hadn't taken their life beforehand.
In analyzing the morality and ethics of the people involved in the Holocaust movement, Mosse explains that the overall morale of the German people after the first World War allowed a movement like National Socialism to develop and gain the popularity that it did. Mosse opens his Crisis of German Ideology by explaining the difference between culture and civilization. He believes that a culture "has a soul, whereas Civilization is Ð''the most external and artificial state of which humanity is capable," (Mosse, 6). If a country's people accept their culture and reject the civilization it means for many the end to alienation from their society. This theory parallels Ekstein's explanation of Ð''The Spirit of Aust' among the German people who felt unified and devoted to their country. Mosse explains how these feelings were contrived as a response to the "complacent bourgeois society, which was satisfied with Germany as it was and gave little thought to Germany as it should be," (Mosse 7). Germany had always yearned for a feeling of national unity, but in 1918 Germany lost the first World War and was forced to sign the Treaty of Versailles, a peace treaty between the warring nations that officially ended the war. The treaty, however, forced Germany to take full responsibility for the war and it's aftermath and pay reparations to particular countries. This forced Germany to fall into a state of economic instability and despair and they fell into a state of depression.
This time of political and economic turmoil and grief forced the Germanic people to look for some kind of national unity. They looked to form a system of cultural cohesion among their people instead of some kind of political unity because "it seemed that political unification had not brought with it the national self-awareness which many Germans had always desired," (Mosse). People, instead, engaged in material pursuits and valued objects such as money and urbanization that ultimately destroyed ancient German traditions. This resulted in the "German Revolution" in which the purpose was to "liquidate the dangerous new development and to guide the nation back to its original purpose as they conceived it," (Mosse 4). It was a reaction against modernity and the modern industrial growth within Germany that had been the cause of its political, social, and, economic unrest.
The driving force behind this movement was the "Volkish" ideology that "signified the union of a group of people with a transcendental Ð''essence'Ð'...the essential element here is the linking of the human soul with its natural surroundings, with the Ð''essence' of nature," (Mosse 4). The Volk ideals believed in a connection between the soul and the land they come from, and that the Germans who lived in "dark, mist-shrouded forests" were profoundly superior because they strive toward the light. He
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