"movimientos De Redeldia Y Las Culturas Que Traicionan" from Borderlands/la Frontera: The New Mestiza by Gloria Anzaldua

Prior to colonialism, there was no race. Colonialism was a racialized, gendered and sexualized classification of people based on race. Gender was socially constructed. This dichotomy of people was made up of the light side, the liminal side and the dark side. The light side consisted of white men, white bourgeois, colonials and white women. The light side was considered dichotomously binary where heterosexuality was institutionalized. This dichotomy was not complementary. Men were portrayed with reason, public and mind and woman as emotion, private, non promiscuous, passive, pure and weak in mind and body. The liminal/in between side included servants, prostitutes and criminals. Those in the dark side were seen as animals that did not have a gender, were genetically differentiated and were differentiated as property. The dark side dealt with modernity, capitalism and colonialism. It pertained to issues of gender. With modernity, individuals were subjects/agents who made decisions, were responsible and had rights. Every act of oppressing was found by some act of resisting. By in large, people were denied gender. Women's bodies were regarded as property to be used to satisfy the erotic pleasures of men, who usually raped them. Gloria Anzaldua was oppressed by the white side of the gender system and by her own culture. Colonialism, capitalism and race cannot be separated when looking at the gender system. Chapter two "Movimientos de redeldia y las culturas que traicionan" from Borderlands/La Frontera: The New Mestiza by Gloria Anzaldua contributed to a queering of race, meaning that the man/woman dichotomy was challenged. The whole gender system was racialized. It showed the relationship between intersectionality. Intersectionality alleged that the classical models of oppression within a society, such as those involving race, gender and sexuality were interrelated based on which indicators were relevant to an individual.

Although gender was significantly marked, it was also hidden. Chapter two "Movimientos de redeldia y las culturas que traicionan" from Borderlands/La Frontera: The New Mestiza, Gloria Anzaldua showed that women and queers were denied places in society and culture due to oppression. Confusion of sexual identity only made these individuals more at variance with their culture because the change to queer looked at a person's desire and always resisted the man/woman dichotomy (Anzaldua 39). Gloria Anzaldua was a mestiza, a woman who was a mix of mixed racial ancestry. She was Indian, Mexican and white descent and a lesbian. Indians personified savagery and were seen as uncivilized. They were demonized as animals to justify the abuses towards them. Indian savagery was viewed largely as cultural and racialized. They were seen as ignorant heathens and a demonic race that signified an innate evil. Based on the light side and dark side dichotomy, Anzaldua was on the dark side because she was outside the category of whites. According to the gender system, because she was a woman, Anzaldua was seen as weak, fragile, sexually passive, did not have to engage in labor and could not own anything. Being a woman, she was at the bottom of the ladder, right above deviants.

Culture shapes our beliefs and from those beliefs we make distinctions of the account of realism that it converses. Men, those which are claimed to be in power, made culture. Men established the rules and women conveyed them. Gloria Anzaldua's culture demeaned women to that of less than a man. Women were submissive to males according to culture and the Church. As women, their duties and roles in life were mapped out for them. Women were predestined to become wives and mothers. One was considered a failure if she did not marry and have children because this was her primary role. Rigid gender roles claimed men to be the superior gender and women to be passive. Based on what culture condemned, individuals exist last as the self and are meant to provide for family first (Anzaldua 38-40). Anzaldua did not feel secure when white culture and her own culture were critical of her. Because women of color were estranged from their culture, they were unable to act and feel safe within the inner life of her Self (Anzaldua 42). Women of color were unfairly given a choice to either blame the culture and people in power and fall victim or become in control of oneself.

Gloria Anzaldua as a queer, considered herself as two in one body, both a male and female. Individuals, who were considered half and half, represented the issue of queers as focuses of judgment by society. She suffered from society's standard which asserted that individuals could only be one or the other, referring to either a man or a woman. The concept of homosexuality appeared to be unacceptable because considerable emphasis was placed on the value of family relationships and conformity to traditional gender roles. She was not confused about her sexual identity or her gender, but rather considered herself the convergence of unlike persona within herself (Anzaldua 41). Anzaldua, being a lesbian, went against the morals of culture. She claimed that although homosexually was hereditarily inherent and that she made the choice to be so. Anzaldua stated that queers like herself feared abandonment from their culture and families due to their lack of acceptability. In order to prevent rejection, one's sexuality was sometimes altered in order to correspond with the principles of culture, hiding the unacceptable aspects of their sexuality identity (Anzaldua 42).

Anzaldua resisted the gender system. She faced problems and challenges because of her gender but did not conform to the contemporary notions of women. Anzaldua was in a state of intimate terror due to her position in the dark side of the gender system which made life more difficult for her. Anzaldua did not fit the standards of her culture. Queers such as Anzaldua were considered different, belonged to the other and because of this were considered lesser that others and non-human (Anzaldua 40). Gloria Anzaldua faced much oppression. She experienced a sense of banishment in the Borderland. Oppression within the Borderland was the requirement of women to be submissive as according to Chicano culture. Men were believed to be the "good" gender and were seen as the ones with power, had unobstructed roles and the freedom